Tuesday, December 2, 2008
Comparison between Fine, Folk, Applied Art
Folk art has more to do with the craft of objects that reflect traditions and traditional social values of various social groups. This type of art is produced by people with little or no experience in artistic training. It establishes techniques and styles of different regions and cultures.
Fine art is developed primarily for aesthetics and concepts rather than utility. Usually these type of artists have had some form of artistic training. Styles include painting, sculpture, theatre, dance and so forth.
Artist interview with John Edwards
"My passion is to spend weeks on a large canvas having a story behind the painting (Australian work of the dreamtime always comes with a story) planning the piece, watching it evolve getting a certain feel for it enjoying it. Sometimes I just cant get the image Im looking for get bored with it paint over and start again. So taking all this into account I would definately say I class it as fine art although people tend to go for the folk when they see it. Now my other art forms such as vases, boomerangs, bottles and so on I do class as folk art, they are not my passion just fun folk art I do them as a way for someone to be able to get a piece of my art for oftenly under $10. The images on these items I do solely because I know people like them. I know that if you want to make a living from art you must be flexible and be able to adapt yourself to this type of thing after all how many people do you know that have bought a large canvas in the past year? The time and materials that go into large works of art always demand a large $ figure. "
Why do you paint, photograph, etc.? " I have always been drawn to either draw or paint. When I was in the navy I would always sketch at sea to pass the time. I loved to do Koalas and one day a person comented on how good I was and I took the comment seriously and started self study at the Art Gallery of New South Wales, Sydney. When I first played with oils I was a little disapointed at the results but soon got the hang of them. I find it very relaxing to paint as well as a sense of accomplishment when I get the look Im looking for.As for photography, I never before played around with a camera until 2001 just had an urge one day to capture images fueled with feeling (first exhibition was concentration camps of Europe). Even though I prefer to do cities and man made structures I first got turned on to the camera at an exhibition of the works of Ansel Adams."
What is the meaning behind your work? " My self expression being able to use my own version of Australian style of art to catch peoples eyes. I like to use as many different colors oftenly clashing to express the way I feel in the world all the things I have seen and expierienced in one explosion so to speak its hard for me to explain really. In GA I feel like I live in an insulated society so for me its a release that I dont have to say find so necessary in Aust or Europe. So the meaning of my work is self expression to the max is the best way I can put it."
Monday, December 1, 2008
Artist Interview
Artist interview: Fine, Folk and Applied Artists
Tuesday, November 18, 2008
This was taken this weekend as i drove through savannah. Fort Pulaski is located in Savannah Georgia
Yes, Fort Pulaski fits into the neighborhood and society because war is a predominant theme here in Savannah.
The art is there because on April 11, 1862, defense strategy changed nation-wide when the Union rifled cannon overcame a masonry fortification after only 30 hours. It took 18 years to build and was the location of Robert E. Lee’s first military assignment. This 19th century piece of architecture is made up of about 25 million bricks with 7.5 ft. thick walls. It reminds us of the elusiveness of invincibility. Fort Pulaski National Monument was established by Presidential Proclamation on October 15, 1924. It contains 5,365 acres, including some of the most pristine and scenic marshland on the Georgia coast
This sculpture is located at the TLC at the University of West Georgia. It fits the scene perfectly because it represents West Georgia"s UWG flame, architectural elements of the campus center, and the upward movement associated with educational achievement. The sculpture was created and designed byHelen Helwig and sits in front of the campus center.
Public Architecture
Self Portrait
Public Art & Architecture
Self Portrait
Self Potrait (Alex Boone)
New Endings (Alex Boone)
Saturday, November 15, 2008
Self Portrait
My self portrait represents family, which represents me from begining until the present. The use of photos documents important events in my life that define who I am today. Thesubjects in the photos are those most valued in my life. This is not only a self portrait but also a portrait of my life.
Thursday, November 13, 2008
Autumn on Campus
autumn @ the cemetary
Autumn in Action
Thursday, November 6, 2008
Noam Chomsky
I chose to use this piece of graffiti, which is a portrait of Noam Chomsky. The piece is extremely well done, and it is easily identifiable. Chomsky is a linguist, philosopher, cognitive scientist, political activist, and lecturer. He has made many contributions to the field of linguistics, but his political activism is what has gained him notoriety. He is a steadfast anarchist and political dissident. Also, Chomsky is a member of the group of philosophers who believes in libertarian socialism. Libertarian socialism is an idea that there should be no hierarchies in our society, political, economic, or social. This piece, as created by the artist, brings forward ideas that are not discussed in daily life, I would consider this piece of graffiti art, both because of the talent that was used to create it and because of the power that it holds to make a viewer really think.
Graffiti on a Cellar Door
I picked this graffiti piece because of its location. I normally think of graffiti as being on the sides of buildings or bridges, but this piece was located on the door of a wine cellar. I liked it because of how elegant and simple it looks, almost like caligraphy. I think it acutally enhances the appearance of the cellar. The white color choice also adds to its elegance.
I definitely think that graffiti is art, no question. I can only imagine that it would take a tremendous amount of talent to even do this simple piece that I am highlighting. It takes a creative mind that understands shape, spacing, color and many other art elements. I definitely think that graffiti is widely underappreciated and that there should be more of place for it in the art world.
-Libby Reid
Wednesday, November 5, 2008
This mural which was once looked upon as mere graffiti is now a portrayal of the journey to a historic event. When the artist painted this he was quoted as saying "
Well its because this candidate actually has the potential to heal America’s unkempt racial, genocidal wounds.
This man is a living symbol of unity being both truly Black and White. This is someone who is a living example of Dr. Kings dream."
If you look at the mural you will see the dedication to the art form. Only those with the heart of an artist could accomplish such a fete. Not only is this art but a reference to history being made.Sara
Wednesday, October 29, 2008
Olympia Skit
(Both women walk in and see the painting)
Woman 1: Oh My God Becky look at her butt….Olympia looks like a total Greek prostitute! I mean its so big…its like out there! There is no way that this painting can be considered the object of beauty in high art!
Woman 2: I mean…Who understands this painter…when he painted her he demoralized our society…this is unacceptable, immoral and vulgar! He made this prostitute look like a goddess!
(A man walks in stares at the painting)
Man: Day-amn she fine! This Manet is a genius! He took the idea of that Venus of Urbina painting and created a total hottie! I’d hit it up!
Tuesday, October 28, 2008
Team 1, Unite!
Please, someone let me know what I need to do for class on Thursday. I know I'm supposed to dress up (big hats and such, I think) with Libby, but that's all I really know.
harrison.taylor@gmail.com is the best way to reach me...
Thank you!!!
Monday, October 27, 2008
Reporter: I’m _________________ here for Team 1 News. I am here in Little Five Points in Atlanta where a recent work of graffiti depicting presidential candidate Barak Obama has been defaced, just hours after completion. I am here to interview some of the local people and find out what they think.
Store Owner: I’m disgusted… I can’t believe that in this day and time and especially here in Little 5 Points, where people are thought to be so open-minded and progressive, that someone could do something this terrible to a work of art.
Con Observer: Quite honestly, I was offended that someone would paint over the picture of Martin Luther King Jr. that was there before. It had been here for years and no one ever touched it.
Outraged Observer: I think it’s sickening… absolutely horrible! I can’t believe that someone could be so ignorant and hateful as to do something like this!
Reporter: I have with me Cameron Wiltshire, One of the artists who painted the Obama graffiti. Why do you think that someone would do this?
Cameron: I think that this person is afraid of change, I think that this person has been taught at some level to hate.
Reporter: What would you say to the person who did this?
Cameron: I would say “I don’t blame you, I forgive you, I love you, you can come and talk to me and I’m not going to raise my fists at you, I’m gonna talk to you and give you a hug, caus’ I know that’s all you need.
Reporter: Again this is _____________________ reporting live from Little Five Points. Good Night
Tuesday, October 14, 2008
2. T or F: Aborignes believed that some of the ancestors metamorphosed into nature, where they remained spiritually alive. True
3. T or F: Australian Aboriginist migrated from Asia about 30,000 years ago. True
4. What is Aboriginal music most famous instrument?a) didgeridoo b) violin c) drums d) saxophone
5. What were the beings called after they emerged from their eternal slumber?a) ancestors b) totemic ancestors c) sacred people d) the dead living
6. What was the didgeridoo tpically made from?a) yellow roots b) pine wood c) oak wood d) bamboo
7. What parts of the Earth did Aborigines believe their ancestors rose from?a) mountains b) clouds c) rocks and water d) the ocean itself
8. What artist used bush gum of sap as the binder for ochres and also used saw-toothed incising? a) Jack Britten b) Alan Griffith
9. T or F: Alan Griffith was born at Tickerlera in the East Kentucky. False
10. T or F: Jack Britten was an Australian Aboriginist Artist? True
Impressionism Questions
I gleaned some of these questions from previous posts, and then made up a few as well. Would someone else please post questions for Frida Kahlo & Frank Lloyd Wright and Aboriginal art?
1. What painting was the term "Impressionism" derived from?
("Impression, Sunrise" by Claude Monet)
2. What is the name of the impressionist artist that showed work in all 8 exhibits of the Association of Painters, Sculptors, and Engravers? (Pissaro)
3. Lucy Bacon was an impressionist painter. (True)
4. Lucy Bacon was mentored by Camille Pissaro. (True)
5. Lucy Bacon painted till her death in 1932. (False she renounced her painting career in 1902)
6. Impressionism emphasized loose imagery rather than finely detailed pictures. (True)
7. The color palette used for impressionist paintings was often drab and boring, containing mostly greys and black. (False)
8. Impressionist art often contains visible brush strokes, open composition and emphasis on light and it’s changing qualities. (True)
9. Which is not an impressionist artist?
a. Claude Monet
b. Edouard Manet
c. Andy Warhol
d. Pierre-Auguste Renoir
(c. Andy Warhol)
10. Impressionism was a movement in the 19th century. (True)
Tuesday, September 30, 2008
"The Dreamtime" - Aboriginal story of Creation
Aboriginal spirituality entails a close relationship between humans and the land. Aborigines call the beginning of the world the "Dreaming," or "Dream time." In the "Dream time," aboriginal "Ancestors" rose from below the earth to form various parts of nature including animal species, bodies of water, and the sky.
Unlike other religions, however, aboriginal belief does not place the human species apart from or on a higher level than nature. Aborigines believe some of the Ancestors metamorphosed into nature (as in rock formations or rivers), where they remain spiritually alive.
The oral tradition of storytelling informs aboriginals' vibrant cultural life. Songs illustrate the Dream time and other tales of the land, while dances and diagrams drawn in the sand accompany oral tales.
Time began when the supernatural beings awoke and broke through the surface of the earth. The earth was soon flooded with light as the sun too rose from the ground. The supernatural beings varied greatly in appearance. Some rose in animal shapes resembling kangaroos and emus, other emerged in human guise looking like perfectly formed men and women. There was an indivisible link between humans, animals and plants. Those beings that looked like animals thought and acted like humans, and those in human form could change at will into animals.
After emerging from their eternal slumber, the beings – referred to as totemic ancestors (such as Wallaby Dreaming and Emu Dreaming etc) – moved about the earth bringing into being the physical features of the landscape. Mountains, sandhills, plains and rivers all arose to mark the deeds of the wandering totemic ancestors. Not a single prominent feature was created which was not associated with an episode of the supernatural beings.
The sacred songs of their deeds were compositions by the supernatural beings themselves. It was these compositions which became the subject of the many sacred myths, songs and ceremonies in which Aboriginal religious beliefs were to find expression. Hence, they were sung on ceremonial occasions and body decorations were worn by actors impersonating the totemic ancestors. All sacred ritual was regarded as eternal and unalterable.
The supernatural beings continued to roam until, exhausted by their effort, they fell back into their sleep and returned to the earth. Many vanished into the ground, often from the sites where they first emerged, others turned into physical objects like rocks or trees. The places that marked their final resting places were regarded as sacred sites to be approached only by initiated men. But before their disappearance from the face and of the earth, the sun and the moon and the rest of the earth-born celestial beings rose into the sky, and man was left to wander the earth.
link: http://www.upfromaustralia.com/dreamabstoro.html
The use of symbolism in Aboriginal Art
For example, body decoration using ancestral designs is an important part of many ceremonies. In central Australia inherited designs are painted onto the face and body using ochres ground to a paste with water and applied in stripes or circles. The modern paintings of the Central and Western Desert incorporate many of these designs.
Links:
http://www.aboriginalartstore.com.au/aboriginal-art-culture/aboriginal-symbols-glossary/
http://www.aboriginalartstore.com.au/aboriginal-art-culture/aboriginal-symbols-and-their-m.php
http://www.aboriginalartonline.com/culture/symbols.php
Monday, September 29, 2008
History of the Aborigines
Monday, September 22, 2008
Austalian Aboriginal Artists Jack Britten and Alan Griffiths (by Alex)
Jack Britten was born at Tickelara in the East Kimberley. Jack Britten is a senior Gija lawman. As a boy he was taken to work as a stockman and later as a road worker. In 1982 Jack moved back permanently to Frog Hollow, in the East Kimberley, where he had worked to establish the Worranginy Out-Station.
Jack Britten's painting and screenprints focus on his country in the East Kimberley, its origins, ceremonies and ancestral figures; his vision merging the spiritual and physical landscape. His grandparents taught him to paint using traditional materials, methods and themes. Distinctive features of his painting are the use of bush-gum or sap as the binder for ochres and the use of saw-toothed incising. Britten depicts his Dreamings with a lateral landscape perspective and gentle clusters of dome shaped ranges which represent the Bungle Bungles. He is known for his exploration of the landscape with rough textures and bold designs. The distinctive dotting which outlines and is embodied in the landscape forms, describes the country and evokes the presence of ancestors and ceremonies. Jack often incorporates body markings into his work emphasising his ritual seniority. His work is a spiritual and lyrical reflection on the landscape. Since 1987 Jack Britten has exhibited all over Australia including in the ‘Crossroads - Towards a New Reality’, ‘Aboriginal Art from Australia’ in Kyoto and Tokyo in 1992; and ‘Images of Power, Aboriginal Art of the Kimberley’ at the National Gallery of Victoria in 1993.
In 1992 he won the Museums and Art Galleries Award and the National Aboriginal Art Award. His work is held in several private and corporate collections. Jack Britten died in 2002.
Purnululu - Bungle Bungles: The artist spent most of his youth as a stockman working the country around the Bungle Bungle Ranges...
Alan Griffiths was born at Victoria River Station in the Northern Territory in 1933. In 1957 he moved to Katherine where he worked as the head stockman at Beswick Station. This lead to further work on Maninbelli Station, Elizabeth Downs, Delamere and Willaroo.
Alan then worked as a plumber and a cook until 1965 after which he moved to Kununurra to begin a new job as a tractor operator on a cotton farm at Ivanhoe Station.
Allan began painting in 1981 after retiring from a long life of stock and station work. He depicts images of his country - mapping the landscapes significant features and dreamtime stories. His work also captures his days working as a stockman and life on the station.
He often works in collaboration with his wife Peggy Griffiths, painting images of Corroborree for which they are key performers and teachers in their community.
Apart from his life as an artist, Alan is a respected law and culture man for both his country near Timber Creek and for Mirrawoong culture in Kununurra.
collections
Parliament Collection Canberra ACT
University of Woollongong NSW
Edith Cowan University Collection, Perth WA
Cable Beach Resort, Broome WA(Commission)
Royal Perth Hospital Collection Perth WA
Broadmeadows Health Service Collection, Melbourne VIC
Artbank Australia
Private Collections Australia & International
Bachelor Institute NT
Camel Trek [new]: Guljagi or Sundown Hill is a significant landmark in the artist's traditional country at Victoria Ri...